例句與造句

1. In 1948, he founded a theater company, the Peter Cotes Players, in Manchester.
2. He was, according to his biographer Peter Cotes, " the finest entertainer of the English music hall tradition ".
3. One of the earliest revivals of this play was the performances in 1946 at the New Lindsey Theatre in London, directed by Peter Cotes.
4. In 1968, Hall appeared in " Janie Jones ", a new American play written by Robert P . Hillier and directed by Peter Cotes.
5. Actor and director Peter Cotes, celebrated for staging the first theater production of Agatha Christie's venerable " Mousetrap " in 1952, has died.
6. It's difficult to find peter cotes in a sentence. 用peter cotes造句挺難的
7. Robey's biographer Peter Cotes disagreed with these assessments, praising the comedian's " droll like humour " and comparing it in greatness to Chaplin's miming and Grock's clowning.
8. Peter Cotes, a British theatrical producer and director who staged the first production of Agatha Christie's " Mousetrap " in 1952, died Tuesday at his home in Chipping Norton in the Cotswolds.
9. Robey's biographer, Peter Cotes, concludes that he likely played along with the assumptions that he was a Cambridge graduate to fit in with the higher circles of society . | group = n }}
10. Director Peter Cotes, writing in " The Guardian ", called him one of Britain's " most accomplished screen character actors ", while " The Times " obituarist observed that he " could lend distinction to the smallest part ".
11. Director Peter Cotes agreed, adding, " he had depths unrealised through the mechanical pieces in which he generally appeared "; while Philip Oakes considered that, " single-handed, he has made more films watchable, even absorbing, than anyone else around ".
12. Three of the episodes-" Suspect ", " Candida ", and " Shadow Of The Vine "-had been produced by English producer Peter Cotes for HSV-7 in 1961, but were shelved due to lack of sponsorship.
13. In early 1892, together with his performances at the Royal Aquarium and the Oxford Music Hall, Robey starred alongside Jenny Hill, Bessie Bonehill and Harriet Vernon at the Paragon Theatre of Varieties in Mile End, where, according to his biographer Peter Cotes, he " stole the notices from experienced troupers ".
14. Alan Brien called the play " Ted Willis's new dramatic pamphlet " and suggested that it failed to rise " above the level of the living newspaper . " In later years Peter Cotes called the play " one of the first pieces about relationships between black and white people, " noting that it " reaped a fine press in a limited run and Willis was treated with more respect as a stage playwright than he had ever been before . " By Willis's own account, " Another less pleasant reaction came in the form of some hate mail ."
15. His biographer, Peter Cotes, remembered the comedian's interpretation of Dame Trot as " enormously funny : a bucolic caricature of a woman, sturdy and fruity, leathery and forbidding " and thought that Robey's comic timing was " in a class of its own . " | group = n } } In March 1922 Robey remained at the Hippodrome in the revue " Round in Fifty ", a modernised version of " Round the World in Eighty Days ", which proved to be another hit for the London theatre, and a personal favourite of the comedian . | group = n }}